Friday, September 04, 2009

Flippant Malcontents Regretting Expurgation,

The great and the good of the music industry were once again assembled in tense anticipation of the announcement of The Bellyaches Music Prize 2009. This year’s event was held aboard the North Carr Lightship in Victoria Harbour, Dundee and, as ever, hosted by the genial Bryan Burnett.

This year’s field was very strong, 2009 has proved an exceptionally good year for music and the judges had a difficult task choosing a winner.

Secret Soundz Vol. 1 by The Pictish Trail: After years of being part of Fence Records and a member of King Creosote’s backing band, The Pictish Trail finally released an album. The album mixes two influences; beautiful Fence Collective folk and Hot Chip-inspired electronica. The album is epitomised by the wonderful track I Don't Know Where to Begin.

When the Haar Rolls In by James Yorkston: This album is dreamy, cosy and a perfect defence against the credit crunch. Isolate yourself, press play, ponder James’ anecdotes and relax with his melodies, forget that Woolworths has closed down.

My Maudlin Career by Camera Obscura: Camera Obscura are consistently brilliant, they can create poignant melancholy ballads as well as jaunty pop numbers. My Maudlin Career is wonderfully composed to provide the most fitting ambiences to Tracyanne Campbell’s lyrics and voice.

Prevention by De Rosa: Sadly, De Rosa split up a few months after the release of Prevention, a musical study in existentialism combining the folk and electronica genres to perfection.

Checkmate Savage by The Phantom Band: Heavy, powerful but catchy, Checkmate Savage is another example of Chemikal Underground’s run of form in 2009.

God Help the Girl: Stuart Murdoch gathered around a huge collective of wonderful singers and musicians to put together this soundtrack to a yet-to-be made filum. The range of talented vocalists add variety to superbly composed tracks, it’s Belle & Sebastian but with a few extra goodies tagged on.

Deaths and Entrances by My Latest Novel: The long-awaited follow-up to Wolves draws upon works of cultural and social significance to inspire its listeners to come together and understand. My Latest Novel majestically make harmonies of four vastly different vocal work, these are accompanied by their layered guitars, keys, percussion and violins to create a startlingly beautiful sound.

Until the Earth Begins to Part by Broken Records: Energetic and wistful, this mini-orchestra from Embra do it all using traditional instruments and by putting in a shift.

Reservoir by Fanfarlo: Smart orchestral indie-pop is their trade, Reservoir is their product. Fanfarlo offer a positive, pragmatic approach to life that naysayers would do well to listen to.
Waxing Gibbous by Malcolm Middleton: Music’s funniest star doesn’t disappoint with more modest brilliance; of course, he’s not going to let people down if he’s helped out by Pictish Trail, King Creosote, Jenny Reeve and other talented people. He’s this generation’s bookkeeper.
Into the Ruin by Drever, McCusker and Woomble: Woomble brings his soft Embra indie vocals, Kris Drever has a harder, more traditional folk style that is very much Orkney and McCusker’s fiddle is like a vocal itself. Everyone will have their own favourite song from Into the Ruin, it’s folk, it’s pop, it’s accomplished.

Lord Cut-Glass: Alun Woodward’s first solo release under the guise of Lord Cut-Glass is playful but poignant, with the aid of a nine-piece orchestra, he charms and surprises his listeners at each corner on this journey through the streets of time.
Bryan Burnett invited stand-in weather presenter Jean Johansson onto the deck to present the prize, the Bellyaches trophy and a set of commemorative porkpie hats, as unenthusiastically as ever to My Latest Novel for Deaths and Entrances. The drummer was sent up to collect the award whilst the rest of the band browser Twitter using their cell phones back in their area. The evening was drawn to an abrupt close after a loud splash was heard, a bunch of local youths had rolled the unfortunate Bryan Burnett's Toyota Prius into the harbour. In desperate fear of being replaced by Pat Nevin, Bryan then plunged into the water to desperately retrieve his list of theme ideas for the Get It On show.

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